@book {564,
	title = {La main hant{\'e}e},
	year = {2016},
	publisher = {Le Noro{\^\i}t},
	organization = {Le Noro{\^\i}t},
	address = {Montr{\'e}al},
	abstract = {<p>Une femme fait euthanasier son chat, d{\'e}cision qui suscite chez elle une prise de conscience de sa capacit{\'e} {\`a} tuer. Elle {\'e}crit, la main hant{\'e}e par l\&$\#$39;Histoire, elle retourne jusqu\&$\#$39;{\`a} la m{\'e}moire oubli{\'e}e du temps o{\`u} ses anc{\^e}tres {\'e}taient des animaux. Par l\&$\#$39;{\'e}criture, elle essaie de comprendre la psych{\'e} et ses manifestations {\'e}videntes de cruaut{\'e}, qu\&$\#$39;elle voit tous les jours dans les m{\'e}dias : viols, meurtres, bombardements de civils, indiff{\'e}rence envers les impuissants, humains et b{\^e}tes qu\&$\#$39;on fait souffrir sans remords. Ce livre est un cri provoqu{\'e} par des questions existentielles : comment faire face {\`a} la m{\'e}chancet{\'e} ambiante, comment voir sa propre m{\'e}chancet{\'e} sans sombrer dans le d{\'e}sespoir, comme tant d\&$\#$39;{\'e}crivains qui n\&$\#$39;ont pas r{\'e}sist{\'e} ? Par l\&$\#$39;{\'e}criture, par l\&$\#$39;ouverture {\`a} l\&$\#$39;autre, par la compassion, il lui semble possible d\&$\#$39;affronter la vie en croyant que, si elle reconna{\^\i}t la pr{\'e}sence du mal aussi bien en elle que dans le monde, elle pourra y r{\'e}pondre en se tenant debout parmi les vivants.</p><p>Source : Le Noro{\^\i}t</p>},
	issn = {978-2-89766-026-0},
	author = {Louise Dupr{\'e}}
}
@book {139,
	title = {Plus haut que les flammes},
	year = {2015},
	pages = {112},
	publisher = {{\'E}ditions Bruno Doucey},
	organization = {{\'E}ditions Bruno Doucey},
	edition = {Soleil noir},
	address = {Paris},
	author = {Louise Dupr{\'e}}
}
@book {140,
	title = {L{\textquoteright}album multicolore},
	year = {2014},
	pages = {270},
	publisher = {H{\'e}liotrope},
	organization = {H{\'e}liotrope},
	address = {Montr{\'e}al},
	author = {Louise Dupr{\'e}}
}
@mastersthesis {153,
	title = {Derri{\`e}re les yeux},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {2011},
	pages = {90},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {{\'e}criture, intimisme, m{\'e}moire, po{\'e}sie, processus cr{\'e}ateur, regard},
	url = {http://www.archipel.uqam.ca/4099/1/M11989.pdf},
	author = {H{\'e}l{\`e}ne Caron},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {155,
	title = {Les bonnes filles plantent des fleurs au printemps suivi de La seconde chance de l{\textquoteright}{\'e}criture},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {2011},
	pages = {122},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {autocensure, d{\'e}pression, {\'e}criture, enfance, impudeur, nouvelles, sentiments},
	url = {http://www.archipel.uqam.ca/4315/1/M12288.pdf},
	author = {Claudia Larochelle},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {154,
	title = {Tour sud suivi de Chantiers},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {2011},
	pages = {152},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {autobiographie, biographie, histoire, m{\'e}moire, roman, vraisemblance},
	url = {http://www.archipel.uqam.ca/4221/1/M12161.pdf},
	author = {Julien Fortin},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {156,
	title = {Allers simples suivi de Les phrases qui tremblent},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {2010},
	pages = {122},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {{\'e}coute, nouvelle, nouvelle-instant, rythme, voix},
	url = {http://www.archipel.uqam.ca/3141/1/M11434.pdf},
	author = {Fran{\c c}oise Major-Cardinal},
	editor = {Louise Dupr{\'e}}
}
@book {23,
	title = {L{\textquoteright}atelier de l{\textquoteright}{\'e}crivain 2},
	volume = {25},
	year = {2010},
	pages = {219},
	publisher = {Figura: Centre de recherche sur le texte et l{\textquoteright}imaginaire},
	organization = {Figura: Centre de recherche sur le texte et l{\textquoteright}imaginaire},
	edition = {Figura},
	address = {Montr{\'e}al},
	url = {http://oic.uqam.ca/fr/system/files/garde/51762/documents/latelier_de_lecrivain_2.pdf},
	author = {Denise Brassard and Andr{\'e} Carpentier and Louise Dupr{\'e} and Ren{\'e} Lapierre}
}
@book {141,
	title = {Plus haut que les flammes},
	year = {2010},
	pages = {105},
	publisher = {{\'E}ditions du Noro{\^\i}t},
	organization = {{\'E}ditions du Noro{\^\i}t},
	address = {Montr{\'e}al},
	abstract = {<p>Louise Dupr{\'e} signe ici un livre courageux dans lequel, indign{\'e}e, lucide, elle trace le mouvement allant des chambres {\`a} gaz {\`a} la chambre de l\&rsquo;enfant des proximit{\'e}s. C{\^o}toyant l\&rsquo;horreur, elle ne sombre pas dans le cynisme. Bien au contraire entretient-elle un espoir qui s\&rsquo;incarne dans la vie m{\^e}me. Certaines histoires exigent en effet \&laquo; des {\'e}chelles plus hautes que les flammes \&raquo;, la vie n\&rsquo;{\'e}tant pas qu\&rsquo;un enfer. Une {\'e}criture vive, un vers bref port{\'e} par une phrase qui a l\&rsquo;amplitude des vents majeurs, soufflant sur le feu des plaies br{\^u}lant dans les fourneaux, comme une r{\'e}ponse de po{\`e}te.</p><p>Source : {\'E}ditions du Noro{\^\i}t</p>},
	author = {Louise Dupr{\'e}}
}
@mastersthesis {157,
	title = {Claire suivi de De la mort {\`a} la vie},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {2009},
	pages = {153},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {deuil, {\'e}criture, femme, mort, roman, transmission},
	url = {http://www.archipel.uqam.ca/2489/1/M11125.pdf	},
	author = {Claudine Auger},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {159,
	title = {{\'E}treinte de bleu suivi de Le mouvement du mot},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {2009},
	pages = {102},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {corps, cr{\'e}ation, lyrisme, m{\'e}lancolie, po{\'e}sie, po{\'e}sie en prose},
	url = {http://www.archipel.uqam.ca/1995/1/M10844.pdf},
	author = {Anie Ouellet},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {158,
	title = {Un apr{\`e}s-midi semblable {\`a} tous les autres suivi de Se jeter dans le vide},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {2009},
	pages = {126},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {caf{\'e}, espace, lieu, non-lieu, processus cr{\'e}ateur, regard},
	url = {http://www.archipel.uqam.ca/2576/1/M11195.pdf},
	author = {Constance Julien-Harrison},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {161,
	title = {Je suis une espionne suivi de Kennedy sait de quoi je parle},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {2008},
	pages = {134},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {d{\'e}pression, deuil, douleur, po{\'e}sie, r{\'e}p{\'e}tition},
	url = {http://www.archipel.uqam.ca/2067/1/M10684.pdf},
	author = {Tania Langlais},
	editor = {Louise Dupr{\'e}}
}
@book {144,
	title = {L{\textquoteright}{\'e}t{\'e} funambule},
	year = {2008},
	pages = {147},
	publisher = {XYZ},
	organization = {XYZ},
	address = {Montr{\'e}al},
	abstract = {<p>Ce recueil de nouvelles est tout entier consacr{\'e} aux femmes. Il est pour ainsi dire un constat, mais aussi un questionnement. Sommes-nous riv{\'e}es, pensent-elles, {\`a} notre destin ou est-il possible de faire le saut dans le vide ? Et qu\&rsquo;est-ce qui nous attend en bas ? La catastrophe ou un monde nouveau susceptible d\&rsquo;effacer en un tournemain le pass{\'e} et son emprise ? On lit ce texte comme si l\&rsquo;auteure nous confiait ses secrets\&hellip;</p><p>Source : Les {\'E}ditions XYZ</p>},
	author = {Louise Dupr{\'e}}
}
@mastersthesis {160,
	title = {L{\textquoteright}hiver retrouv{\'e} suivi par Les {\'e}cart{\`e}lement in{\'e}vitables},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {2008},
	pages = {176},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {{\'e}criture, postmoderne, roman, subjectivit{\'e}, tension},
	url = {http://www.archipel.uqam.ca/1925/1/M10679.pdf},
	author = {Marie-No{\"e}lle Gagnon},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {315,
	title = {Entre l{\textquoteright}acier et la chair suivi de Au d{\'e}tour de l{\textquoteright}{\oe}uvre d{\textquoteright}art},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {2007},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {art, cr{\'e}ation litt{\'e}raire, cr{\'e}ativit{\'e}, influence, po{\'e}sie, regard},
	author = {Isabelle Gaudet-Labine},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {162,
	title = {Le bruit du monde suivi de S{\textquoteright}attacher et s{\textquoteright}arracher},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {2007},
	pages = {131},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {autofiction, {\'e}criture de soi, femme, fragment, r{\'e}cit de voyage, subjectivit{\'e}},
	url = {http://www.archipel.uqam.ca/895/1/M10125.pdf},
	author = {Annie Rousseau},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {165,
	title = {Chuchotements suivi d{\textquoteright}Une exp{\'e}rience de l{\textquoteright}ailleurs},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {2006},
	pages = {171},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {alt{\'e}rit{\'e}, angoisse, introspection, m{\'e}moire, processus cr{\'e}ateur, roman},
	url = {http://www.archipel.uqam.ca/3507/1/M9541.pdf},
	author = {Claude Herdhuin},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {163,
	title = {Dissolution des nappes phr{\'e}atiques dans un verre d{\textquoteright}eau suivi de Pr{\'e}sence(S)},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {2006},
	pages = {117},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {corps, histoire, identit{\'e}, intrigue, personnage, th{\'e}{\^a}tralit{\'e}, th{\'e}{\^a}tre, voix},
	url = {http://www.archipel.uqam.ca/2023/1/M9261.pdf},
	author = {Anne-Marie Codebecq},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {164,
	title = {Ton p{\`e}re et autres d{\'e}bris suivi de Entretien},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {2006},
	pages = {137},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {autobiographie, {\'e}criture, entretien, processus cr{\'e}ateur, subjectivit{\'e}},
	url = {http://www.archipel.uqam.ca/2714/1/M9371.pdf},
	author = {Jacques Grenier},
	editor = {Louise Dupr{\'e}}
}
@book {145,
	title = {Tout comme elle},
	year = {2006},
	pages = {110},
	publisher = {Qu{\'e}bec Am{\'e}rique},
	organization = {Qu{\'e}bec Am{\'e}rique},
	address = {Montr{\'e}al},
	abstract = {<p>Le texte dramatique Tout comme elle vient d\&rsquo;un d{\'e}sir commun, de la part de Brigitte Haentjens et de Louise Dupr{\'e}, de travailler ensemble. Anim{\'e}es toutes deux d\&rsquo;un profond int{\'e}r{\^e}t pour les questions sp{\'e}cifiquement li{\'e}es au f{\'e}minin dans l\&rsquo;{\'e}criture, elles ont d{\'e}cid{\'e} de travailler {\`a} partir du rapport m{\`e}re-fille. Le texte Tout comme elle a {\'e}t{\'e} {\'e}crit par Louise Dupr{\'e} apr{\`e}s de nombreuses lectures, plusieurs t{\'e}moignages de femmes (dont certaines com{\'e}diennes pressenties pour jouer dans la pi{\`e}ce), ainsi que de fr{\'e}quents {\'e}changes avec Brigitte Haentjens. L\&rsquo;auteure a voulu mettre en relief la complexit{\'e} de ce rapport primordial dans la vie de toute femme, rapport fait {\`a} la fois d\&rsquo;amour et de haine, de tendresse et de cruaut{\'e}, de grandeurs et de petitesses. Tout comme elle jette un regard lucide, sans mi{\`e}vrerie, sur les liens entre m{\`e}re et fille.<br /><br />Divis{\'e} en quatre actes, le texte est compos{\'e} de courts tableaux. Il ne s\&rsquo;agit pas {\`a} proprement parler d\&rsquo;une pi{\`e}ce de th{\'e}{\^a}tre, avec des personnages distincts {\`a} qui sont assign{\'e}es des r{\'e}pliques. La narration est assum{\'e}e par une voix f{\'e}minine, mais on ne sait pas si c\&rsquo;est la m{\^e}me voix ou si ce sont des voix diff{\'e}rentes qu\&rsquo;on trouve d\&rsquo;un acte {\`a} l\&rsquo;autre. Peu importe, en v{\'e}rit{\'e}, puisque le texte veut pr{\'e}senter des m{\`e}res qui sont des filles et des filles qui sont des m{\`e}res, dans une g{\'e}n{\'e}alogie imm{\'e}moriale de filles et de m{\`e}res. En ce sens, le texte pourrait {\^e}tre jou{\'e} par deux femmes, mais Brigitte Haentjens a choisi de le monter avec 50 com{\'e}diennes de tous les {\^a}ges, comme une chor{\'e}graphie.</p><p>Source : Qu{\'e}bec Am{\'e}rique</p>},
	author = {Louise Dupr{\'e}}
}
@mastersthesis {166,
	title = {Peut-{\^e}tre une arabesque suivi de Quelques {\'e}lans},
	volume = {D{\'e}partement d{\textquoteright}{\'e}udes litt{\'e}raires},
	year = {2005},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {cr{\'e}ation litt{\'e}raire},
	author = {Ariane Fontaine},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {325,
	title = {Dans la clairi{\`e}re suivi de L{\textquoteright}{\'e}criture et le temps qui passe},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {2004},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {cr{\'e}ation litt{\'e}raire, mort, temps, transcendance},
	author = {Andr{\'e}e-Anne Clermont},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {326,
	title = {Il ne se passera rien},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {2004},
	pages = {139},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {cr{\'e}ation litt{\'e}raire, espace, intrigue, nouvelle, personnage},
	author = {Marielle Cyr},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {331,
	title = {La corde {\`a} danser suivi de Comme une tristesse},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {2004},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {cr{\'e}ation litt{\'e}raire, enfance, langage, m{\'e}moire},
	author = {Nathalie Loignon},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {330,
	title = {Un bruit sourd entre les choses suivi de L{\textquoteright}inqui{\`e}te fondation du po{\`e}me},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {2004},
	pages = {96},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {cr{\'e}ation litt{\'e}raire, individualit{\'e}, po{\'e}sie, subjectivit{\'e}},
	author = {Claude Latendresse},
	editor = {Louise Dupr{\'e}}
}
@book {146,
	title = {Une {\'e}charde sous ton ongle},
	year = {2004},
	pages = {97},
	publisher = {{\'E}ditions du Noro{\^\i}t},
	organization = {{\'E}ditions du Noro{\^\i}t},
	address = {Montr{\'e}al},
	author = {Louise Dupr{\'e}}
}
@mastersthesis {336,
	title = {Hors suivi de Le carnet deHors},
	volume = {Ma{\^\i}trise en {\'e}tudes litt{\'e}raires},
	year = {2003},
	pages = {113},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {cr{\'e}ation litt{\'e}raire, photographie, po{\'e}sie},
	author = {Carole Forget},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {337,
	title = {Ton visage est le mien suivi de Bruits de fond},
	volume = {Ma{\^\i}trise en {\'e}tudes litt{\'e}raires},
	year = {2003},
	pages = {97},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {cr{\'e}ation litt{\'e}raire, femme, intimit{\'e}, po{\'e}sie},
	author = {Bianca Fullum},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {352,
	title = {La rumba des cingl{\'e}s suivi de L{\textquoteright}{\'e}criture : un apprentissage},
	volume = {Ma{\^\i}trise en {\'e}tudes litt{\'e}raires},
	year = {2002},
	pages = {172},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {cr{\'e}ation litt{\'e}raire},
	author = {Manon Veilleux},
	editor = {Louise Dupr{\'e}}
}
@book {147,
	title = {Les mots secrets},
	year = {2002},
	pages = {39},
	publisher = {{\'E}ditions de la courte {\'e}chelle},
	organization = {{\'E}ditions de la courte {\'e}chelle},
	address = {Montr{\'e}al},
	author = {Louise Dupr{\'e}}
}
@book {142,
	title = {La Voie lact{\'e}e},
	series = {Romanichels},
	year = {2001},
	pages = {210},
	publisher = {Les {\'E}ditions XYZ},
	organization = {Les {\'E}ditions XYZ},
	address = {Montr{\'e}al},
	abstract = {<p>Au cours d\&rsquo;un colloque qui se tient {\`a} Tunis, Anne Martin fait la rencontre d\&rsquo;Alessandro Moretti, un arch{\'e}ologue. Un amour s\&rsquo;{\'e}bauche qui sera contrari{\'e} par la distance: lui vit {\`a} Rome, elle {\`a} Montr{\'e}al. Un roman sur les difficiles amours {\`a} distance.</p><p>Source : Les {\'E}ditions XYZ</p>},
	issn = {978-2-89261-312-4},
	author = {Louise Dupr{\'e}}
}
@mastersthesis {363,
	title = {L{\textquoteright}indiff{\'e}rence suivi de Lettres {\'e}gar{\'e}es},
	volume = {Ma{\^\i}trise en {\'e}tudes litt{\'e}raires},
	year = {2001},
	pages = {119},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {Annie Dillard, cr{\'e}ation litt{\'e}raire, lettres, Marguerite Duras, Nancy Huston},
	author = {Carole-Line Nadeau and Louise Dupr{\'e}}
}
@mastersthesis {360,
	title = {R{\'e}p{\'e}titions suivi de Au-dedans},
	volume = {Ma{\^\i}trise en {\'e}tudes litt{\'e}raires},
	year = {2001},
	pages = {221},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {corps humain, cr{\'e}ation litt{\'e}raire},
	author = {Maryse Latendresse},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {383,
	title = {Ch{\oe}ur solo},
	volume = {Ma{\^\i}trise en {\'e}tudes litt{\'e}raires},
	year = {2000},
	pages = {109},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {alt{\'e}rit{\'e}, art d{\textquoteright}{\'e}crire, cr{\'e}ation litt{\'e}raire, {\'e}nonciation, narration, subjectivit{\'e}, voix},
	author = {Manon Moreau},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {381,
	title = {L{\textquoteright}orange {\'e}clat{\'e}e suivi de R{\'e}flexions},
	volume = {Ma{\^\i}trise en {\'e}tudes litt{\'e}raires},
	year = {2000},
	pages = {101},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {autobiographie, cr{\'e}ation litt{\'e}raire, {\'e}criture fragmentaire, psychanalyse, souvenir},
	author = {Jacques Lorange},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {379,
	title = {M{\'e}moire d{\textquoteright}ombres chinoises suivi de Portraits de la voix},
	volume = {Ma{\^\i}trise en {\'e}tudes litt{\'e}raires},
	year = {2000},
	pages = {110},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {cr{\'e}ation litt{\'e}raire, m{\'e}moire, narration, photographie, po{\'e}sie},
	author = {J{\'e}r{\'e}mie Leduc-Leblanc},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {373,
	title = {Rebours suivi de De la chair pens{\'e}e en pi{\`e}ces},
	volume = {Ma{\^\i}trise en {\'e}tudes litt{\'e}raires},
	year = {2000},
	pages = {117},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {corps humain, cr{\'e}ation litt{\'e}raire, po{\'e}sie},
	author = {L{\'e}on Guy Dupuis},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {687,
	title = {Deuil et intimisme une {\'e}criture qui affleure suivi de Amentia},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {1999},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {cr{\'e}ation litt{\'e}raire, deuil, intimit{\'e}, po{\'e}sie},
	author = {{\'E}liane B{\'e}langer},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {833,
	title = {{\'E}clats},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {1998},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {cr{\'e}ation litt{\'e}raire, perte, po{\'e}sie},
	author = {Suzanne Joly},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {676,
	title = {La beaut{\'e} sombre et nue suivi de Tout n{\textquoteright}est jamais qu{\textquoteright}une question de regard},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {1998},
	pages = {100},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {beaut{\'e}, cr{\'e}ation, cr{\'e}ation litt{\'e}raire, {\'e}criture, jamais, litt{\'e}raire, litt{\'e}rature, nue, perception, question, regard, sombre, tout},
	author = {Micheline L{\'e}vesque},
	editor = {Louise Dupr{\'e}}
}
@book {143,
	title = {La th{\'e}orie, un dimanche},
	year = {1998},
	pages = {208},
	publisher = {{\'E}ditions du Remue-m{\'e}nage},
	organization = {{\'E}ditions du Remue-m{\'e}nage},
	address = {Montr{\'e}al},
	author = {Louise Dupr{\'e} and Louky Bersianik and Nicole Brossard and Louise Cotnoir and Gail Scott and France Th{\'e}oret}
}
@mastersthesis {815,
	title = {L{\textquoteright}enfant d{\textquoteright}hier},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {1998},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {cr{\'e}ation litt{\'e}raire, psychanalyse},
	author = {Catherine Ewing},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {797,
	title = {Parcelles de fille},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {1998},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {{\'e}crivaine, narration, subjectivit{\'e}},
	author = {Julie Bouchard},
	editor = {Louise Dupr{\'e}}
}
@book {563,
	title = {Tout pr{\`e}s},
	year = {1998},
	publisher = {{\'E}dtions du Noro{\^\i}t},
	organization = {{\'E}dtions du Noro{\^\i}t},
	address = {St-Hyppolite},
	issn = {978-2-89018-403-9 },
	author = {Louise Dupr{\'e}}
}
@mastersthesis {813,
	title = {Les sentiments premiers},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {1997},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {intimit{\'e}, lyrisme, po{\'e}sie, po{\'e}tique},
	author = {Jean Duval},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {755,
	title = {Rivages},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {1997},
	pages = {87},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {ambivalence, cr{\'e}ation litt{\'e}raire, m{\'e}lancolie, po{\'e}sie},
	author = {Monique Deland},
	editor = {Louise Dupr{\'e}}
}
@book {150,
	title = {Chambres},
	year = {1996},
	pages = {90},
	publisher = {{\'E}ditions du Remue-m{\'e}nage},
	organization = {{\'E}ditions du Remue-m{\'e}nage},
	address = {Boucherville},
	author = {Louise Dupr{\'e}}
}
@mastersthesis {847,
	title = {Je marche {\`a} c{\^o}t{\'e} d{\textquoteright}une joie},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {1996},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {acquisition du langage, ha{\"\i}ku, po{\'e}sie, relation m{\`e}re-enfant},
	author = {Jeanne Painchaud},
	editor = {Louise Dupr{\'e}}
}
@book {151,
	title = {La memoria},
	year = {1996},
	pages = {211},
	publisher = {XYZ},
	organization = {XYZ},
	address = {Montr{\'e}al},
	abstract = {<p>Ce roman a {\'e}t{\'e} un succ{\`e}s d{\`e}s sa parution. Emma Villeray apprend {\`a} br{\^u}le-pourpoint que son amant la quitte pour des cieux meilleurs. Elle ne s\&rsquo;y attendait pas. C\&rsquo;est une trag{\'e}die. Et l\&rsquo;occasion de s\&rsquo;interroger sur sa mani{\`e}re d\&rsquo;aimer, sur son pass{\'e}, sur sa m{\`e}re et surtout sur sa s{\oe}ur, sa rivale, son miroir. Un roman intime sur les femmes et la condition humaine.</p><p>Source : Les {\'E}dtions XYZ</p>},
	author = {Louise Dupr{\'e}}
}
@mastersthesis {855,
	title = {L{\textquoteright}eau des oiseaux},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {1996},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {cr{\'e}ation litt{\'e}raire},
	author = {Christine Richard},
	editor = {Louise Dupr{\'e}}
}
@book {152,
	title = {Renoncement, livre-objet, suite po{\'e}tique accompagn{\'e}e de six peintures originales de Jean-Luc Herman, calligraphi{\'e}e et sign{\'e}e},
	year = {1995},
	pages = {s.p.},
	publisher = {{\'E}ditions Jean-Luc Herman},
	organization = {{\'E}ditions Jean-Luc Herman},
	address = {Paris},
	author = {Louise Dupr{\'e}}
}
@mastersthesis {846,
	title = {Doigts d{\textquoteright}ombre},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {1994},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {cr{\'e}ation litt{\'e}raire, deuil},
	author = {Germaine Mornard},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {756,
	title = {La danse de Julia},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {1994},
	pages = {131},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {cr{\'e}ation litt{\'e}raire},
	author = {France Mongeau},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {805,
	title = {Le semainier sans dimanche},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {1994},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {autoportrait, cr{\'e}ation litt{\'e}raire, f{\'e}minisme, roman},
	author = {Bianca C{\^o}t{\'e}},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {845,
	title = {Voyages et autres d{\'e}placements},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {1994},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {cr{\'e}ation litt{\'e}raire, {\'e}motion, litt{\'e}rature, psychologie, th{\`e}me litt{\'e}raire, voyage},
	author = {Sylvie Massicotte},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {794,
	title = {Mezza-voce},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {1993},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {{\'e}criture, f{\'e}minin, femme, je, langage, po{\'e}sie, sujet},
	author = {Linda Bonin},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {836,
	title = {Chercher une pratique d{\textquoteright}{\'e}criture salissante},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {1992},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {cr{\'e}ation, {\'e}crit, {\'e}criture, recherche},
	author = {Louise Lachapelle},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {850,
	title = {Les temps morts ne meurent jamais},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {1992},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {acte, {\'e}criture, image, jamais, journal, meurent, mort, po{\'e}sie, po{\'e}tique, r{\'e}el, temps},
	author = {Guy Perreault},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {818,
	title = {Un peu d{\textquoteright}intensit{\'e} fiction et th{\'e}orie},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {1992},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {{\'e}criture, genre, litt{\'e}raire, narratif, nouvelle, r{\'e}daction, style},
	author = {Christian Fournier},
	editor = {Louise Dupr{\'e}}
}